The LinkedIn post announcing Hoist, mirrored here: what the proxy does, the live turn savings on τ²-bench retail and airline, and where it fits next to LLMCompiler and TraceCompiler.
An MCP proxy that learns which reads an agent makes next and makes them for it, in the same tool result, so the agent needs fewer LLM turns.
A playable modular synth in the browser that evolves patches, asks which you prefer, and fits a Bayesian model of your taste that steers the search and reports its own confidence.
Why I built a macOS menu bar app to watch the status pages I depend on, and the CLI, prompt glyph, and webhooks that grew around it.
A 1.2B model runs in your browser and answers questions from this site, with no server and no API key. How the retrieval works, what it costs, and which models did not make the cut.
Six simulations render the backgrounds on this site: Conway's Life, summed sine waves, a simulated-annealing graph search, an FM synthesizer, A*, and a finite-difference PDE solver. What each one computes and what the controls do.
A probabilistic programming library for Rust built around a monad: models compose in direct style, and pluggable interpreters decide what running one means.
A CrewAI system for market analysis: agents that pull data, develop a strategy, and separately assess the risk of running it.
A ReAct agent in Python with no framework underneath it: the loop, in the open, against the OpenAI API.
CrewAI in a browser: define agents, tasks and crews in a Streamlit UI instead of a Python file.
A CrewAI system that tailors a resume to a specific posting and prepares you for the interview that follows.
SoundCloud acquired Musiio, the Singapore music-AI company founded out of the same Entrepreneur First cohort as Archanan. I was in the office the day it was signed.
A small quantum circuit simulator in Python, written to understand the subject rather than to be fast at it.
A piece for HPCwire on emulating a supercomputer before you buy one, turning procurement from a bet on benchmarks into a question you can answer with your own code.
HPCwire covers Archanan's emergence from stealth: a cloud platform that emulates a target supercomputer so you can develop and debug at full scale.
A piece for Asian Scientist arguing that the hard part of supercomputing is not the computing but the gap between a working laptop simulation and code that survives at scale.
Opening an Archanan engineering office at The Hive in Thảo Điền, five months after the EF investor day, and flying down every month until covid closed the borders.
The three-minute Archanan pitch that closed Entrepreneur First's third Singapore cohort, arguing that access to a supercomputer is a developer tooling problem.
Leaving for Singapore on 12 January 2018 for Entrepreneur First's third cohort, on the recommendation of two friends: one who had already been through it, and one who came with me.
Scala Computing got into the Grand Central Tech accelerator in August 2017 and moved from the CEWIT office to 335 Madison Avenue, going from seven people to fifteen.
Leaving the computational applied mathematics PhD at Stony Brook in May 2017, a year after starting a company out of my advisor's push to aim graph theory at job scheduling.
Giving a talk on the wavelet compression search at Stony Brook's Institute for Advanced Computational Science, whose machines had been running it.
Stony Brook was one of four subnets on InfiniCortex, A*STAR's InfiniBand fabric stretched around the planet. I went to SC16 in Salt Lake City on an IACS travel award for the unveiling of our end of it.
Searching for a general procedure to pick the best wavelet basis for a class of audio, rather than choosing one by taste. Run on the IACS supercomputers.
Playing guitar for the Elvis jukebox musical staged by CK Productions at Town Hall West in Islip.
CEWIT's newsletter on my use of Stony Brook's supercomputing time for audio synthesis and modeling.
The Stony Brook Press on the intelligent synthesizers I was building as an undergraduate: pitch-tracking bass synthesis and convolution reverb.
Playing bass guitar and double bass for the Latino re-conception of Sweet Charity at Aaron Davis Hall, which the New York Times reviewed and filmed.
Playing bass guitar and double bass from the side-stage pit for the revue that opened New Haarlem Arts Theatre's first season at Aaron Davis Hall in Harlem.